

whose name, the Big Fool, has become a household word
By Liew Soon Chin
The signature tune fades away and the storyteller
comes on.
"I whirled round and came face to face with
my sworn enemy. I knew this would be the final
showdown. Silently, I adopted the dragon pose
..."
Holding his book in his left hand, he launches
into the tenth chapter of the Ugly Musketeer. As he
narrates, he gesticulates with his chubby but
expressive fingers.
He expresses sorrow, brandishes an imaginary
sword, mocks the puny strength of his toes and
demonstrates the fire force of his palm.
Lee Dai Soh, or Big Fool as his name
suggests comes alive during lunch and dinner hours on
Rediffusion, telling tales of Chinese folklore, sword
fighting heroes and ghosts.
His prime time on the air makes him, very much a
part of family life. Little wonder he is a household
word. Dai Soh, 65, has been a storyteller for 40
years.
"I'm happiest when I am telling stories. It
is my hobby as well as my job," says the king of
Cantonese storyteller, a perpetual smile spread
across his lined face.
Born Lee Fook Hong, he changed his name to Dai Soh
so that his listeners could remember it easily. It
was copied from the name of a musician, Hor Dai Soh,
who popularised the Cantonese ditty, Who says I am
Stupid.
He was not always a storyteller. He started with
the new defunct Chinese newspaper, Sin Chong Jit Poh,
where he was first a typesetter and then a reporter.
A short while later, he became a junior clerk working
on the estate of the late Mr Lee Choon Guan, a
prominent businessman and founder of the Straits
Steamship Company.
In 1938, he had his first taste of storytelling
when he joined Radio Malaya. This was curtailed when
World War Two began.
The next stage was the most depressing part of
this happy-go-lucky man's life.
"The Japanese came. I worked as a coolie in a
soap factory. Hours were long; there was little to
eat. But I managed to escape from the Japanese. I
guess I was lucky.
After the occupation, he returned to his job with
Radio Malaya. In 1949, he joined Rediffusion and has
been with them ever since.
The stocky storyteller attributes his audience
appeal to an ability to pick and adapt the right
story. Preparation for each serial takes about two
months.
"Storytelling is not difficult at all. Just
make the story flow the plot thicken. Every day, cut
your story at its most exciting moment. But all these
will come with experience," the Big Fool advises
nodding his head wisely.
Storytelling comes naturally to him; his is a
talent neither inherited nor acquired.
His parents were not in this line at all. In turn,
his son and daughter being English educated have
never been his fans. Of his two grandsons, he says
indulgently, "They prefer the TV."
He consoles himself with an avid fan in his wife.
"Sometimes, he pesters me for the rest of the
tale."
What do his listeners think of him?
Most are fascinated by his ability to make his
characters come alive. Although he is the sole
narrator, he can portray more than 10 personalities
in a story by employing subtleties in tone and pitch.
For example, he may use a gravel voice to put
forward the impression of a harsh magistrate and
weeping sounds to signify a damsel in distress.

The
Miser Millionaire in 1963
A listener in Tiong Bahru commented: "You
dont realise it is not a female voice even when
he is speaking female lines. You are simply carried
away by the story."
On Kung Fu stories, Miss Priscilla Low, 25, a
clerk says: "He speaks with authority as if he
is a martial arts exponent himself."
And true enough, Dai Soh has had pugilistic
training while studying in Yeung Ching School.
"Martial arts was one of our lessons in
school. I always enjoyed those classes. In fact, I
was drawn onto the stage by my teacher who noted that
I was very active and talkative."
His forte was comedy acts where all you have to do
is to act funnily.
Storytelling is not the only programme Dai Soh
does. On Sundays, he and two other friends take part
in discussions.
"Various topics are thrashed out. We may
explain proverbs or sayings describe, how Chinese New
Year was celebrated in China long ago or explain the
significance of Ching Ming or the dumpling
festival."
Here, his love for Chinese literature comes in
handy.
Dai Soh unabashedly claims that he was barely an
average student in school. He only excelled in
Chinese literature and found mathematics and a
headache.
He widens his eyes and chuckles: "I never
tried being the top student."
"But I enjoyed taking part in debates,
categorical contests and plays where at least I could
win some trophies."

Lee
Dai Soh is an avid reader, adding
one or two books to his library every week
He has an impressive library of more that a
thousand books neatly arranged on shelves in his
Bukit Merah View flat. Being an avid reader, he adds
one or two books to his collection every week.
Although he received film offers in his younger
days, he rejected them because of the intense
politicking behind the scenes.
"People have a certain impression of you from
your voice. However, the more they see you, the
faster they tire of you. I prefer to keep this sense
of mystery," he added.
However, he has a wide interest in film shows
enjoying productions such as The Sound of Music, My
Fair Lady, The Ten Commandments, James Bond and
Charlie Chaplin pictures.
He adds proudly: "I saw three versions of Ben
Hur including the silent movie."
He thinks Bruce Lee had a good fighting style and
has followed his exploits keenly.
Understandably, he steers clear of tragic themes.
"Such shows are depressing. People pay to be
entertained to have a good laugh. There is sufficient
sorrow in this world for them to weep over."
Apart from Rediffusion, he records for the
Australian Broadcasting Commission (ABC) station
here.
The programme technician of ABC, Mr Lee Kim Chwee,
estimated about 1000 letters are received each month
requesting particular stories from Dai Soh.
The programmes are broadcast to countries such as
Malaysia, Hong Kong and Vietnam. His popularity has
made him ABC's highest paid artiste in Singapore.
Rediffusion also receives numerous complaints
whenever it postpones or cancels his programmes. Many
listeners tune in only when he is on the air.
Despite the overwhelming enthusiasm over him, Dai
Soh believes he is the last of his kind.
Unperturbed, the Big Fool eloquently spreads his
bands and remarks: "Storytelling is a dying
profession. My stories will probably die with
me."
First published in New Nation,
May 9, 1978
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