  


An unforgettable performance
put up by Straydogs in a reunion jam session
in 1986 -- Lawrence Lim on vocals backed by
Jimmy Appadurai (centre) and Ronnie
Kriekenbeek (left).
By Dave Ang
THEY wore no uniforms and refused to do
the cha-cha.
Undaunted by the lack of interest among
the locals, they took their guitars and drums
and played at British army bases instead,
much to the bewilderment of the British
forces, who didn't expect some Chinese locals
to play blues and R&B.
But the soldiers loved it, and lapped it
all up like lager.
That was the story of The Straydogs, a
local band back in the '60s and '70s, which
some say could be the first rebel rock band
in Singapore.
"They used to get thrown out of tea
dances because they wanted to play only blues
music," said BigO magazine editor Philip
Cheah.
"People used to throw chairs at them
when they refused to play what the audience
wanted. That's pretty wild. Imagine getting a
chair thrown at you when you're
onstage!"
THREE SONGS
Cheah and his team at BigO are putting out
a CD of three songs by The Straydogs:
* Mum's Too
Pampering
* Freedom, and
* Repent.
The CD is part of the magazine's CD
Singles Club release and will be given away
free with the magazine's October issue.
The Straydogs' CD comes in the wake of the
recent Polygram release of In Quest of the
Quests, a CD featuring The Quests, another
Singapore band which thrived in the '60s and
'70s.
RE-ISSUE OF
ORIGINAL
But unlike the Quests' CD, which had the
lads going back to the studio to record, The
Straydogs' CD is a re-issue of their original
recording -- sans the pop and hiss.
"It's the first English language pop
archival project," said Cheah.
"That's why EMI, their label, agreed
to the release. It's completely
non-profit."
"It's the first time you hear raw
passion in a Singapore band," he said.
"And the great thing is that they
still sound raw when you play them today.
"We also wanted to show the present
bunch of bands that blues-rock was not old
music, but actually alternative rock back
then. We wanted to make that
connection."
First published The New
Paper, Sept 27, 1994
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